Exhibitions, Press Credits, Album Credits and Clients

EXHIBITIONS

Stax Museum of American Soul Music- Still Life in Soul: Contemporary Music Photography of Jacob Blickenstaff. Solo Show, Fall 2009 – Summer 2010.

Louisiana State Museum- Unsung Heroes: The Secret History of Louisiana Rock and Roll. Historical exhibition featuring selected images. Spring 2009-Present.

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ALBUM COVERS + ARTWORK

(cover unless otherwise noted)

Sharon Jones and the Dap-Kings, I Learned the Hard Way, Daptone Records, 2010.

Cyrus Von Hochstetter, peak i/oN – self-released, 2010

Various Artists, Daptone Gold, Daptone Records, 2009 – inner-gatefold photo

The Mighty Hannibal, Live in Brooklyn, self-released, 2009

The Inbetweens, Quantum Cowboy, self-released, 2009 – rear cover photos

Ryan Keberle, Double Quartet, Alternate Side Records, 2007

Michael Blake, Blake Tartare, self-released, 2004

Barbarian Horde, Your Pleasure Is Our Business, self-released, 2004 – back cover

Ben Allison, Peace Pipe, Palmetto Records, 2002 -  insert photos

Mike Wexler and Fourth Rome, The Fit in the Choir, Beekiller Records, 2001

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CLIENTS: MUSIC INDUSTRY + ARTS ORGANIZATIONS

Daptone Records, Norton Records, NPR Music, Proper American Records, Ponderosa Stomp Foundation, MOG, Lincoln Center Festival, Rabbit Factory, Brooklyn Soul Festival, Concord Music Group

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PUBLISHED WORK

New York Times

The New Yorker

Rolling Stone

Hot Nights in Austin: SXSW’s Breakouts, 2009

New Orleans Meets New York as Dr. John and Ponderosa Stomp Honor Wardell Quezergue, 2009

Jack White’s Dead Weather Blast Through Noon Set at NYC Gallery, 2009

Oprah Magazine

NPR Music

Grammy Magazine

National Geographic Traveler

Wall Street Journal

Los Angeles Times

BrooklynVegan

The Wire (UK)

Songlines (UK)

OkayPlayer

San Francisco Chronicle

Austin Chronicle

Alarm Magazine

Fretboard Journal

Wax Poetics

EQ

AM New York

Time Out New York -

Antibalas in Fela!, 2009

Once More, With Feeling: Brooklyn Soul Festival, 2009

A More Important Union, 2009

Brooklyn The Borough

Living Blues

ABS Magazine (France)

Gambit Weekly

Offbeat Magazine

No Depression

Soul Bag

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WRITING ON PHOTOGRAPHY:

Why It Pays to Value Music Photography

Calculating the Value of a Promotional Portrait

Everything You Know About Concert Photography is Wrong

Poor Editing is Ruining Concert Photography

Get Out of the Pit and Go Backstage

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CORPORATE CLIENTS

Energizer Battery Company, Save-A-Lot Food Stores, Borden Dairy, Build-A-Bear Workshop, Humane Society of Missouri, Washington University, Origins Cosmetics, Fresh-Ink Denim

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EDUCATION

B.A , New York University – Gallatin School of Individualized Study – Studies in music performance, art history, photography, English

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